Default Mode;
Excerpts from “The Book”
by
James Domine
Default Mode; Excerpts from “The Book”
Composed in 1999
Copyright © 2007 by James Domine
All Rights Reserved
including right to reproduction in any form
Printed in the USA
Default Mode; Excerpts from “The Book”
Table of Contents:
Introduction………………………………………………………………....iv
Four by Four.………………...………………………………...…………….1
Six by Six........................................................................................................2
Eight by Eight: Act I………………………….……………………………..4
Default Mode………………………………………………………………...5
www.xr8.com..................................................................................................7
You Lose…………………………………………………………………….9
Eight by Eight: Act II………………………………………………………10
Hieroglyphic Transcription………………………………………………...11
Exile III…………………………………………………………………….13
The Ides of March………………………………………………………….14
Stations of the Cross………………………………………………………..16
Radio Silence……………………………………………………………….18
Introduction:
Default Mode is a collection of thoughts on the themes of alienation, solitude, reflection and regret as well as resignation to the seemingly random consequences of inexorable fate. It is noteworthy that the author was moved to create this cycle after not having written any poetry at all for an interval of more than twenty years. “I was occupied with other things, besides I didn’t have any ideas suited to poetic genres until certain events that transpired in April 1999 made me think.” Default Mode is related in some respects to the novel entitled The Naked Man, also conceived at this time.
Four by Four
Statement of purpose: to be or not to be—
surrender unconditional, not negotiable, eternal.
In criminalization of love, emotion is not diminished,
only made more painful, intense, benefiting no one.
Her crime was that she loved him—
for this she was punished at the crossover
network of scavenging birds, parasitic insects,
threatened by her longing, her talent, her vision.
His torment was in loving her, already taken,
spoken for by a frozen ancient monolith inscribed,
an obelisk of empires lost in hot, shifting sands…
desire unfulfilled, unresolved, unforeseen, unrelenting.
One fact is still to be explained: the implacable
mortal wounding of the incessantly bleeding
heart; surgery performed removed but lonely flesh…
gripping fear, rage, joy and tenderness remain.
Six by Six
“This place has always been beneath my dignity
but here I stay, I must truly belong although
I’ve never known belonging. Houses of oblivion
where I must abide—colorless without description…
the girls we know are not for loving, only touching,
Here we never feel love, only striving, desiring.
When our love was fresh each moment was a song
of primal joy, now darkness and pain accompany
the tune. The verse is over but never finished,
the midnight sound of suffering, hearts betrayed…
but I am grateful for the noise though it cannot
replace the absence of your colors in the air.
She keeps looking for something to happen, change,
to break the spell of continuous delirium. Sleep
cannot compensate for loss of purpose, meaning.
Her love undiscovered, untapped, unsuspected.
Lights another cigarette, her tattoo, the emblem
of identity, functionality, a mask of defenselessness.
The guitar rocks a lick of tribal communion
while the singer intones the chant of night,
dances for the mating ritual, preservation of life.
Let me remember you, your wonder and mystery,
virtue and ability, intelligence and versatility;
drifting silently away down the stream of destiny.
Six seconds, minutes, hours, days, forever…
each moment a brick in a wall impenetrable
left isolated here to mimic motions gone before,
the lines were written long ago, the drama played.
Her lovers many, their names inscribed, each page
a system, syndrome, pattern, a refuge of lies.
There is no beginning, never an end, this time
Goes on and on. Lottery ticket gives a chance
To feel the flash, a glimpse of romance.
If she feels alright, you can stay all night.
The game persists; hello, I love you, sex, and then
“Nevermore,” quoth the Raven, “Nevermore!”
Eight by Eight
Twisted dreams of anger pervert the doctrine of Truth.
A Priestess of Virtue professed the party line
adhering strictly to the cavernous vision of future
that only she could personify—He collapsed alone
in silent, transparent agony—unable to respond,
only to field foul balls of secret lies, deception
which only he could tell, only he could know…
Her love was white as snow, cold, melting in the sun.
She never had a chance—the rules changed every time
the cards were played. The numbers shifted like tossing dice.
Her wonder, bewilderment betrayed her honesty—
His deceit, connivance allowed him to prevail for now…
The battle was not even engaged, it was a rout from the start.
Her pain troubled him, her blood on his hands,
it began as a game but became all to strangely real
when her love meant more than he could comprehend.
More beer poured out, runs were scored, and the eternal.
television blighted the atmosphere of lonely derision.
They circled their wagons like vultures defending against
inconvenient necessity, demanded by words of commitment.
Never knowing the conspiracy in all its unholy machinations,
she felt the fury of its contemptuous wrath and subterfuge.
Their roles designed to destroy, playing out the drama
preordained, red stains disgraced even the stars above.
Her intentions were pure, her arms protective, her colors
soft in their diversity, a riot of variety, a frenzy of artistry.
A girl approached the jukebox bearing gifts of money to appease
the evil sentry of diversion, their craven appetites to please.
Step up to the plate and face the music, given in sacrifice for you…
Her love is consumed in the unholy fire of abandonment.
People here are alone in absentia, the darkness of night
accompanies the dance with accoutrements of romance.
Default Mode
Theresa, the neighborhood drunkard
hangs out at the bowl, transfixed,
aimlessly drifting down the alley.
With a can of Malt Liquor open at 8 am,
unconsciously continuing the dance
of her contorted ritual longing, despair.
A Mexican runs self-serve copies;
25-cent minimum charge at the corner
mini-mall, stares as the machine jams.
Sports radio loudly spews the score;
an endless stream of cyber-sewage,
litter driven on the swirling winds.
Hieroglyphic profanity, blasphemous
condemnation besmirches recollection,
a magnificat on the cusp of lost promises.
Fell free to obfuscate, muddy the dark
frozen waters, to forget the ephemeral
magic now diminished in deep night.
“I am not alone, you see; email messages,
T.V. and a load of laundry await…”
cat box allergies, unfulfilled dreaming.
Only two more days ’til Friday, then
only two more days ’til Monday. Sleep,
anesthetic amnesia of ignominy, remorse.
Classified jobs, resumes submitted,
Singles listings provide diversion,
electric atmosphere of false emotion.
Telephone chants complex rhythms:
“please dial your password and press #
you have no messages at this time.”
A sacred litany of pornographic denial,
cheaply bout at the local liquor store,
down the graveled street; there is no more.
Email outmoded. Exiled, a solo flight into exorcism—
overboard, discarded, waiting for red lights flashing…
endlessly in the void. Preamble to a stillborn child,
prologue to oblivion, prelude to an unsung melody.
A space occupied only by dreaming, images, quiet forms.
Without design or movement, a silent symphony of symbols
never heard, nor played, eternally haunting empty caverns.
“I am not naďve, I know
what you’ve been doing, I know
what you’re thinking, and
I know where you’ve been.
I’m aware when you are sleeping.
Your desire is my dream.
I’m there when you awaken,
Love never goes unseen.”
“I didn’t sleep again last night.
I couldn’t stop thinking about
your hands against mine. The feel
of your smooth skin cradling
my dry, chafed fingers. And yet,
you didn’t seem to mind their touch.
I could feel them still as the cold night
enveloped the dawn, awakening our
silent allegiances, never acknowledged
as I lie in bed alone with another.
They do not count as I wondered where
you were at 4:30 am in the morning.
I almost called to you, as early light fell,
just to hear your voice, but I couldn’t
bring myself to do it.
Instead I just thought
of you while sweating to death in my room.”
You Lose
“To love me, you must obey my rules
I am the Goddess, you the Fool.
You must play the game I choose
I always win, and you must lose.”
Her lovers roam the streets by night
Hunters stalking death and life.
Lust is our quarry, betrayal our prey.
Return to our tents to sleep by day.
“Truth and lies, darkness and light
are all the same” saith the Queen of Night.
Telephonic drama of her infidelity
outlines her transparent sexuality.
A celebration of divorce, an episode
defines her character, calls out the mode.
the consummation of her pact complete,
shows haunting the paths of her deceit.
“I only want to be with you, I am devoted
to you, you fool. Give me what I need,
then I’ll drag your picture from my files
to your grave, where scented flowers smile.”
Eight by Eight: Act II
Waiting for the end to come, like a grotesque puppet in a cage
prancing absurdly with exaggerated motions, a parody of tragedy
Punishment, vilification and degradation were his objectives…
an ugly, childish comedy of death enacted in the bar-room arena.
Once upon a time, she dared to exact her pound of flesh,
she presumed to claim title to her own youthful exuberance,
her beneficence, maliciousness, mischievousness and frivolity
exploded indecisively as the last dull beer was finally poured.
A child waits in innocence, unprotected. A wife mourns.
The young girls clamor for a chance to imbibe the draught,
their breasts improved by the surgical obscurity this cosmetic
darkness provides. Darts are thrown in self-deprecation. Her
misery caused by his dissembling desire for unfulfilled revenge,
her unforgivable crime was in loving him. Her fault was credulity,
she believed in his love for her, she trusted in his faith, his troth.
His deeds betrayed his true intent, always concealed, never revealed.
Random violence, drunken irresponsibility, psychological trauma
are at the center of our perverse diversions. Let the music play on!
We don’t really care, we don’t really listen, we’re not really there.
The instruments are all surreal, floating in air, circular currents
off the pier, waterfront tides advance breaking waves of dawn
at the end of this untimely tirade. The harangue is never ending,
lambasted hatred of broken windows, slamming doors, guns blazing.
The bartender calls us to order, it is time now to disappear.
“Now that I have destroyed our love, I’ll never feel the same
it never was your fault, you never were to blame. A complex
of destruction surrounded you, as land mines in a field,
an ambush laid with premeditated malevolence, calculated to yield
a stealth attack of punishment to bring you to your knees.
You never knew what hit you, you wanted to believe
that love was sure, and love was strong, and truly that it is,
but when you betrayed me long ago, I never could forgive.”
Hieroglyphic Transcription
No emotion, no recognition, lack of desire…
Is it possible to defend empty rooms
where murdered corpses once lay strewn
in delicately balanced abandonment?
The pages turned like wind-blown leaves,
their courses undefined, randomly scattered.
Did it ever matter? Was there someone there?
The pall bearers moved slowly to the altar,
their burden relieved of sight, of mind.
What reminiscence flickers still in the dark?
Was the light of essence reflected on the pond
or silently extinguished without a sign?
Who can utter a single word of meaning
as the Priest read slowly “God has a plan.”
Fragile vanity, indolent pride of self-esteem,
virtues of personal idolatry and finesse
are swept aside in black, swirling tides
as the deep, cold foaming waters rise; fear
and isolation fill the cavernous void of remorse.
Love is true, love is strong, surely someone cares,
but did it ever matter? Was it ever really there?
Let me now remember you, before it’s time to die,
before the night’s extinguished and our love turned to lies.
There’ll never be another who could chant the fatal verse,
who only by being dissolve the abiding evil curse.
Who with destiny intact can bestow a final peace
on unholy dreams of felons locked away against release…
When I turned to look upon her face, she was gone.
A young girl moves in solemn procession,
a bright constellation against the night sky.
Our bondage and confusion dissolve like ice
in her pristine presence, she is the Queen of Night.
She was there before you, like clouds bringing rain.
she’s with you now as lover, sister, and as mate.
In time she will attend your grave, as instrument of fate.
The God of War and Foolishness now interrupts the scene
with clamor of drums and anger, his harbingers, unseen.
One slave is like another, their journey can be traced
by the littering of carcasses, and things which might have been.
Electric images abound, they force us to submit.
His weaponry is clandestine, the wounds so deep and clean.
His devastation is complete, and never can be seen.
A feeling of finality now permeates the dawn,
yet we know that truly time goes on and on and on…
the evening ends as it began, with drinks in public places,
with promises gone unfulfilled, of vacant empty spaces.
Now our love has been destroyed, life cannot be the same
For lonely flesh, joy and tenderness remain.
There is no love, there is no life, there’s only burning flame.
Exile III
Unfulfilled desiring, more drunken reviling,
Endless nights of static inquiring; emergence
of frothing agony, depression, psycho-dramatic
episodes. Captured pictures of ideal beauty,
to know the truth, to live a lie. Amateur spectacles
of forlorn grace reflect spiritual values of ancient
religious traditions. Ritual of fire; burning embers
at last extinguished. Fountain of expression, spring
of ceaseless colliding images. The Alien source
of internal combustion. Virtuous relief in pastoral
bliss, unfolding of temperamental mysteries.
Next came the stark reminders, embodiment
of useless toil, meaningless tasks. Alliances
formed of desperate striving; futile drone-like
attempts at recognition, an impotent sexual
prowess, exhibitionism never consummated.
always scheming, planning. Blank stratagems
never built nor advanced. Mundane banalities
endlessly applied. Outflanked by circumstance,
the powerful conjuration of abject servitude.
Aging of volition, deep pools of inevitability,
resignation to exile, banishment and defeat.
The Ides of March
Election night vanity, delusions of those in power,
colonies of insects infesting media promotions,
electrical desire to control undercurrent streams.
History delays judgment until the hour elapses.
Raging flames rise and fall, unleashing torment.
Confusion rules, waves rock the shores of time.
Forgive them, they know not what they do.
A succubus alluring, her serpentine coils unwinding;
a mask of illusion, immolation. Her transfiguration
is as she deceives, yet offers smoothing more than rare
and much to be desired. Her magical face, her hair…
something deadly hiding there. Adorned with stars,
magnetic and blue, the love she brings for now is true.
Her icy hands, her frozen stare, a refuge entombed.
Aging telephone messages, sent long ago
lie in wait for the nameless wandering traveler.
Sapphire-laden hues of feline black velvet
course up and down the oriental corridor.
Trombones signal the climax of Act III
as a chorus intones the fatal verse, raining
down a riotous profusion of colored glass.
Shards of dreams haunt the mansions of recollection,
fragments rooted in the transience of air. Flashes
of pastel light bathe the dawn in sunny raiment.
Days softly passing in cloistered gentle confinement,
the nights a succession of ancient spirits dancing
to music only they can hear, if ever it was there at all;
the colors of their wings ever changing in the wind.
A game of chance almost wagered, never won;
the face cards represent a progression of mood,
characters true and false against the flooding waters.
Their places on the board were dealt at random,
the winning hand was never played. Ghostly
arcane piping of flutes enhances the bacchanale
as primitive savagery of drums garnishes the feast.
Egyptian stars regaling deep libations at the bar
where poets never speaking imbibe their diatribe.
A child awaits, his life begins with mystery laden.
With unknown desires to fulfill, his destiny he traces.
Wonder becomes amusement when cognition finds a groove,
when words bespeak of action and their meaning rings true.
Innocence engenders freedom; but knowledge, servitude.
Suddenly awakening I remembered that Love is not here,
but gone with the Ides of March. She was quietly sleeping,
her bitter trauma unresolved by indefatigable weeping.
Her treachery is a sacred trust, in her falseness, truth.
Her ignorance my wisdom, in morning light, her youth.
Her misery my exaltation, in suffering my release,
her bondage is my freedom, her faithfulness laid waste.
Someday, somewhere, a place, a time in desperation’s void
where futility spawns hopefulness though love has been destroyed,
the coils of the serpent wind with gripping, sweating toil;
madness compelling suicide promises no recompense
at childhood’s end when an echo blends colors never seen.
Indecision, vice and fear inadequately defend joys unsaid
and sorrows plaint now and gain for time which has not been.
Stations of the Cross
At first hello, thank you very much for reply…
Well, I’m Irina, 29 years old; am a writer,
I’m writing a fantastic stories. And this is not
only my hobby. I’ve enter University here
and am working in newspaper “Stars.”
My society life is full enough but I can’t
say the same about my private life. I live
alone in my own apartments in the centrum
of my beautiful city. I was not merried
and am not having children. My parents
are farmers and they are living in village
80 kilometers near here. I like to visit them
as often as I could. It is so nice to be
at the real nature, to feel fresh air, to sweem
in the lake and to walk in the cool forest.
Nature is too wonderful to be described with the words.
But to feel it with all body and spirit it is necessary
to be together with some very close person…
Two persons could feel together much much more
than one, even very romantic. Hope you will understand.
I’ll send my foto with next letter.
Are you a really serious? Now I guess we’ve
started a relations. But you know, I must say
something important. I’m a 29 years old,
that is not too young for unmarried woman.
I don’t have opportunity to try a lot’s of time.
I’m looking for a serious and only a serious
relations. I’ve decided now to get merried,
and I’d like to do that ones. I don’t have
a time for experiments. That is if you are
serious too I need a some guarantee of that.
Hope, you will understand me correct.
Well…then you are serious enough, then.
You’d like to have a something really serious
with me. But first of all we must know
each other better, we must learn each other.
I’m thinking that we feel each other already,
lets’ deside how we could do that. I’m
waiting for your concrete propositions.
We could continue…if you are ready to prove it,
your love and intentions, your concrete relations.
We should deside that a bit later, about us,
We must deside now something less important
but more current. The matter is I am not able
to pay for rent in this moment. Could you
do that for me? Please, send the money via
Western Union Money Transfer, is due today.
By chance, it would be that guarantee I was
waited for. I meen that if you are not gong
to pay for my rent that is you are not a serious
to me. In this situation, I must then be happy
that I understood it not too late. But if you are
really serious, please send me the money.
If you’ll do that we’ll have a fast way
to discuss our future relations together.
Love,
Svetlana
Radio Silence
Survival is a submarine,
hunkered down, stealthily.
defensive clandestine concealment
motionless, quiet, secretly dormant.
Beneath the waves in darkness lurking
waiting, watching, hiding, searching.
On the surface, washed with spray,
whitecaps dance and dolphins play
submerged in depths unseen, unknown,
with danger near, threaten to explode…
hiding a curse of foreboding guile
under the sea, in purposeful exile.
Unlike the Ancient Mariner,
there is no one to tell the tale,
and though the lesson to be learned
is as deafening as the stormy gale
that thunders out its lightning bolts
against wild winds and ghostly sails,
in the unsuspected deep, far below
the waters swirl, but do not show
a sign of life. But hidden there is
something deadly, full of terror as
mocking tongues lament with violence
the maintenance of Radio Silence.
Reptilian motions echo time
long ago, forgotten, unrhymed.
Where the air succumbs to naught,
where the arts of war are taught.
When loving ways have ceased to be,
survive on board the submarine.